Our mission is to distribute and archive works of time-based art. Each issue highlights artists working in new or experimental media, whose works are best documented in video or sound.

Uled Tripoli, Sabe Tripoli, Soldiers Lebanon

Uled Tripoli, Sabe Tripoli, Soldiers Lebanon
3:20, 1:24, 3:34
Video
with commentary by Manon Slome
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Just as I arrived to Beirut, fighting in the northern city of Tripoli broke out; this time it was different, for the first time in Lebanon, random car bombings took place, a different sense of fear took over, leaving everyone in an cautious state of being; we all waited, like lambs before their time, a nervous uncertainty was truly in the air. Madrases were closed, but the kids still played, giving friendly names to the sounds of war: “Popcorn” for the light artillery, the familiar rapid fire of machine guns and automatic weapons, but for the sounds that came from the heavy tanks, the kids called it “Kibbe”, a heavy and rich Lebanese dish that is made by pounding over and over the lamb’s meat. As I walked trough the streets of Tripoli, everything had a surreal cinematic veil to it, a strange presence not easy to define but palpable only to sight. Adrenaline makes you experience things differently, every sense goes into high gear; time slows down so every gesture could be processed. Colors assume a lively significance even though is destruction what they show, but above all, the sounds of the streets are the ones that take over; every pin, every machine, every echo, every prayer, they stay and linger, becoming a single track that plays over and over again.