Our mission is to distribute and archive works of time-based art. Each issue highlights artists working in new or experimental media, whose works are best documented in video or sound.

A Good Place to Stop
Volume 21:
04/01/2013

After ten years and hundreds of published works, ASPECT has decided to cease publication. Good gamblers and good artists both possess the same important skill: knowing when to walk away. The ending may be artificial, such as a time limit, or it could be external, as in the case of an authority figure, but the time comes when we must put our pencils down. We may never be done, but we can find “A good place to stop.”

No Junk
with commentary by John Bell

No Junk is a series of videos created in collaboration by Seattle based artist Kayo Nakamura and Providence artist J.R. Uretsky. Initiated by Nakamura in 2009, the No Junk project is an interesting look into a creative world generated by two artists on opposite sides of the United States. The eleven video series is guided by a loose set of...

From Twilight 'til Dawn
with commentary by

From Twilight ‘til Dawn is a video installation giving multidimensional expression to the experience of three soldiers: the filmmaker’s father, an Army paratrooper in the Vietnam era, her friend Henry, an Army paratrooper in the Second World War, and her grandfather, who never directly...

Pulse Machine
with commentary by

This electromechanical sculpture was “born” in Nashville, Tennessee, on 2 June 2012, at 6:18 PM. It has been programmed to have the average human lifespan of babies born in Tennessee on that same day: approximately 78 years.

The kick drum beats the sculpture’s pulse at 60 beats per minute, and the mechanical counter...

Shift Change
with commentary by

From the series In Geolocation: Tributes to the Data Stream.

Twitter estimates there are over 340 million tweets daily, creating a vast sea of digital noise. We select locations then examine Twitter for posts that occurred recently in the surrounding area, utilizing these tweets as the spoken soundtrack. We imagine ourselves as virtual...

The Quitter
with commentary by

"The Quitter" depicts me smoking my last cigarette before attempting to quit. It was shot in two parts (both on Super-8 film), half in 1999 and half in 2005. Like many people who attempt to quit smoking, I have had many "last" cigarettes. Both films (1999 & 2005) are shown simultaneously and are accompanied by a...

Real Snow White
with commentary by

The absurd logic of the "real character" and the extreme discipline of Disneyland become apparent when a real fan of Disney's Snow White is banned from entering the park in a Snow White costume. We discover that "Dreams Come True" refers to dreams produced exclusively by Disney. Anything even slightly out of control...

Dead End
with commentary by

This experimental short video consists of three segments: workers loading a truck with waste paper to be shipped to China, a night view of Lower Manhattan as shot from DUMBO, Brooklyn, and a list of chief executives at the time this video footage was produced (2007-2008). Credits are a part of actual video. The 2007-2012 is considered the worst...

The Johnny Cash Project
with commentary by Ute Meta Bauer

A "living portrait" of the Man in Black.

The Johnny Cash Project is a global collective art project, and we would love for you to participate. Through this website, we invite you to share your vision of Johnny Cash, as he lives on in your mind’s eye. Working with a single image as a template, and using a...

As of December 18, 2013 the ASPECT store is closed permanently. Thanks to all of our customers over the past 11 years. If you would like to order an issue of ASPECT, please contact us or contact Old City Publishing.

Thanks,

Michael Mittelman

  

V21: A Good Place to Stop

V21: A Good Place to Stop
04/01/2013
$35.00
Instutions who wish to purchase ASPECT for their use must pay the institutional price. Please contact Old City Publishing for institutional purchases: http://www.oldcitypublishing.com/

After ten years and hundreds of published works, ASPECT has decided to cease publication. Good gamblers and good artists both possess the same important skill: knowing when to walk away. The ending may be artificial, such as a time limit, or it could be external, as in the case of an authority figure, but the time comes when we must put our pencils down. We may never be done, but we can find “A good place to stop.”

Dear ASPECT friends:

After ten years, twenty-six DVDs and the published works of over 200 artists, the staff and board of ASPECT have decided to stop publishing our DVD periodical. Looking back on what we have accomplished, it is no understatement to say that we took on the art world and changed the way it looks at new media art.

When ASPECT published our first DVD in 2003 there were few, if any, dedicated new media programs at the graduate or undergraduate level in the world. Youtube and Facebook did not yet exist. At that time the idea of getting video directly from artists and publishing it for the use and consumption of universities, students and other artists was considered impossible. A DVD periodical was an unknown idea, and it took several years to educate the public as to the potential of such a format.

Today, new media art programs exist at universities around the world. Many artists publish their work on their own website or on video sharing services. Video art is a much more accepted and understood medium, and the broader genre of new media art has been accepted and integrated into galleries, museums and academia. However, the concept of pairing primary source material and critical analysis in the same publication remains unique to ASPECT.

The world has changed around us and accepted the genre, format and approach that ASPECT has been highlighting. Therefore it is time for us to say thank you to all the artists who have contributed their work, the commentators who have lent their time and expertise, and the staff and volunteers over the years who have made this publication possible.

Bill Arning, director of the Contemporary Arts Museum Houston and a renowned expert on new media who was involved with ASPECT from its beginnings recalls, “When ASPECT started there was great confusion about how art lovers and students were to experience time-based artworks, with no clearly defined distribution systems in place. ASPECT’s vision was to put DVDs directly into the hands of eager viewers until the art world mechanisms could catch up to what the best artists were making. I am proud to have been part of this history.”

In Spring 2013, we will be publishing our final release, Volume 21: A Good Place to Stop. We hope you have enjoyed ASPECT over the past ten years, and will continue to use our disks and online resources for years to come.

Thank you.

Michael Mittelman
Founder

  

V19: Communication

V19: Communication
Spring 2012
$35.00
Instutions who wish to purchase ASPECT for their use must pay the institutional price. Please contact Old City Publishing for institutional purchases: http://www.oldcitypublishing.com/

As tools of communication evolve, so does language itself. While globalization expands our notion of community and networked culture shrinks the boundaries between public and private, the strategies through which we communicate are thrown into question. In light of this questioning, Volume 19 features works that address language and communication as their primary subjects and tools.

  

V18: Export China

V18: Export China
Fall 2011
$35.00
Instutions who wish to purchase ASPECT for their use must pay the institutional price. Please contact Old City Publishing for institutional purchases: http://www.oldcitypublishing.com/

In recent decades, China has undergone massive social, economic and cultural change, altering its citizens’ view of the world and themselves. China’s artists have rapidly absorbed and reinterpreted the pluralistic styles of Western art, using them to translate the unique realities of life in contemporary China. In turn, many Western artists interested in the play between the individual and society have turned their attention to China as a complex and often culturally loaded subject.

 

We are excited to announce the launch of the ASPECT app for the iPad. This new system allows you to gain access to the entire ASPECT collection on your iPad at an inexpensive flat rate. An invaluable educational tool, the app functions as a unique primary source textbook of new media art. Search and browse the entire ASPECT catalogue and create your own playlists of time-based artwork. Purchase access for one day, a semester, or an entire year for yourself or your students.

Now available for purchase online!

ASPECT-EZ Volumes 1 & 2: Strangely Funny & Failure are now available on a single DVD, featuring over 25 works in video, new media, and performance art. ASPECT-EZ is an ongoing series of exhibitions, events and limited-run DVDs showcasing work from emerging artists.

Related:
  

V20: The Cinematic

V20: The Cinematic
Fall 2012
$35.00
Instutions who wish to purchase ASPECT for their use must pay the institutional price. Please contact Old City Publishing for institutional purchases: http://www.oldcitypublishing.com/

 

As new genres of art making develop, video and new media art are still heavily informed by their predecessor, film. Today, Many artists who work in time-based media are fascinated by the cultural, formal, and theoretical issues surrounding popular cinema. Volume 20: The Cinematic features works that explore the complex relationship between cinema and new media.

The Quitter

The Quitter
2:24
super8
with commentary by

"The Quitter" depicts me smoking my last cigarette before attempting to quit. It was shot in two parts (both on Super-8 film), half in 1999 and half in 2005. Like many people who attempt to quit smoking, I have had many "last" cigarettes. Both films (1999 & 2005) are shown simultaneously and are accompanied by a musical score by composer Nils d'Aulaire. 

No Junk

No Junk
10-minute excerpt
video
with commentary by John Bell

No Junk is a series of videos created in collaboration by Seattle based artist Kayo Nakamura and Providence artist J.R. Uretsky. Initiated by Nakamura in 2009, the No Junk project is an interesting look into a creative world generated by two artists on opposite sides of the United States. The eleven video series is guided by a loose set of rules that are continually being enforced, broken and reinvented as the videos progress. The main restraint being that each artist is to recreate the previous No Junk video without purchasing items to create the work.

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